{"id":4303,"date":"2026-08-06T12:17:11","date_gmt":"2026-08-06T12:17:11","guid":{"rendered":"https:\/\/everydayphotography.org\/journal\/?p=4303"},"modified":"2026-08-17T11:47:34","modified_gmt":"2026-08-17T11:47:34","slug":"fuga-panamericana-esp","status":"publish","type":"post","link":"https:\/\/everydayphotography.org\/journal\/fuga-panamericana-esp","title":{"rendered":"Fuga Panamericana"},"content":{"rendered":"\n<p class=\"has-text-align-center wp-block-paragraph\">de Luc\u00eda Harari<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Presentamos el proyecto 'Fuga Panamericana' como un videoensayo basado en un hecho ocurrido en 2024: la fuga de 46 caballos del Ej\u00e9rcito argentino a lo largo de la autopista Panamericana. <br><br>Este episodio, presenciado en vivo por pocas personas, circul\u00f3 principalmente a trav\u00e9s de versiones mediatizadas: fotograf\u00edas tomadas al azar, fragmentos en noticieros y memes compartidos en redes sociales. La fuga \u2014f\u00e1cilmente confundible con una escena on\u00edrica o una ficci\u00f3n generada con inteligencia artificial\u2014 fue recopilada por Luc\u00eda Harari en un archivo inmediato y colectivo.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Luc\u00eda Harari fue una de los artistas seleccionados por <a href=\"https:\/\/everydayphotography.org\/centre\/they-are-the-recipients-of-the-eidolon-grant-in-2025\"><strong>Eidolon Grant en 2025<\/strong><\/a>, y el video fue producido con el apoyo de dicha beca. Nos complace mucho presentar finalmente la obra terminada.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FUGA PANAMERICANA by Luc\u00eda Harari \/\/ EIDOLON GRANT 2025\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nVNcdQ3Vzuw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Que queden solamente los caballos.<\/strong>\u00a0 \u00bfY si los caballos del ej\u00e9rcito se escaparon porque ya no quer\u00edan escuchar la trompeta en la oreja, ni los chiflidos de los fan\u00e1ticos de lo militar?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Esta hip\u00f3tesis abre una serie de preguntas que hacen de motor de este video-ensayo: \u00bfAd\u00f3nde van? \u00bfVuelven al origen? \u00bfA la Querencia? \u00bfA las comodidades del regimiento? \u00bfHuyen de los fantasmas que dej\u00f3 la Dictadura?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Este acontecimiento me llev\u00f3 a reflexionar si tambi\u00e9n estoy en fuga. Hay algo en querer escapar,\u00a0 en mudarse de un lugar a otro, en no saber muy bien en este momento, qu\u00e9 estar\u00eda significando la libertad que me emparenta con los caballos desertores.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Este ensayo es, en definitiva, una b\u00fasqueda de un punto de vista panor\u00e1mico: entre la cultura y lo silvestre, entre la po\u00e9tica ciudadana, la po\u00e9tica cient\u00edfica y la po\u00e9tica de la tierra, entre el archivo documental y un poco de ficci\u00f3n generada.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTAS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El general don Jos\u00e9 de <strong>San Mart\u00edn<\/strong>, luego de estudiar en Espa\u00f1a, fund\u00f3 un regimiento de \u00e9lite, los <strong>Granaderos a caballo<\/strong>, s\u00edmbolo de la independencia americana del Imperio Espa\u00f1ol.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El <strong>Sable corvo<\/strong> es el emblema de la defensa de la soberan\u00eda americana que San Mart\u00edn adquiri\u00f3 en Londres y don\u00f3 al Museo Hist\u00f3rico Nacional, de donde es extra\u00eddo por el presidente argentino en 2026.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Campo de Mayo<\/strong> fue uno de los centros clandestino de tortura y desaparici\u00f3n de personas durante la dictadura militar entre 1976 y 1983.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>UNA L\u00cdNEA DE TIEMPO&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bf? \u2013 El caballo nativo americano se extingue (hay f\u00f3siles en el Museo Paleontol\u00f3gico de Trelew, Argentina)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1493 \u2013 Crist\u00f3bal Col\u00f3n transporta caballos andaluces y \u00e1rabes desde Espa\u00f1a hacia Am\u00e9rica<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1811\u20131819 \u2013 El General Jos\u00e9 de San Mart\u00edn adquiere el sable corvo en Londres, funda el Regimiento de Granaderos a Caballo, organiza el Ej\u00e9rcito de los Andes, lidera el Cruce de los Andes y regresa. Aunque suele imagin\u00e1rselo victorioso sobre un caballo blanco, se documenta que complet\u00f3 varios tramos transportado en camilla y en mula debido a sus problemas de salud<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1925 \u2013 Gato y Mancha recorren el continente americano de sur a norte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1944 y 1947 \u2013 Fallecen Gato a los 36 a\u00f1os y Mancha a los 40 a\u00f1os, \"habiendo vivido una jubilaci\u00f3n tranquila\"<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1976\u20131983 \u2013 El predio de Campo de Mayo funcion\u00f3 como centro clandestino de tortura y desaparici\u00f3n de personas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1997 \u2013 Un caballo se une al pelot\u00f3n del Crit\u00e9rium International de Francia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024 \u2013 Caballos militares se escapan de Campo de Mayo, Argentina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024 \u2013 Caballos militares se escapan y corren por las calles de Londres<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026 \u2013 Un caballo tira a un granadero al suelo frente al presidente<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026 \u2013 Un caballo se para de manos frente al auto presidencial<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026 \u2013 Caballos militares se escapan y corren por la Avenida Crist\u00f3bal Col\u00f3n en Roma<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Esta obra fue realizada con el apoyo del programa Eidolon Grant 2025 del Eidolon Centre for Everyday Photography. La versi\u00f3n en ingl\u00e9s est\u00e1 disponible <a href=\"https:\/\/everydayphotography.org\/journal\/fuga-panamericana\">en este enlace<\/a>.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><img decoding=\"async\" src=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2025\/05\/01-2-1024x437.png\" alt=\"This image has an empty alt attribute; its file name is 01-2-1024x437.png\" style=\"aspect-ratio:2.3433004969052393;width:314px;height:auto\"\/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>de Luc\u00eda Harari Presentamos el proyecto &#8216;Fuga Panamericana&#8217; como un videoensayo basado en un hecho ocurrido en 2024: la fuga de 46 caballos del Ej\u00e9rcito argentino a lo largo de la autopista Panamericana. Este episodio, presenciado en vivo por pocas personas, circul\u00f3 principalmente a trav\u00e9s de versiones mediatizadas: fotograf\u00edas tomadas al azar, fragmentos en noticieros [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56,44],"tags":[26,49],"class_list":["post-4303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-by-lucia-harari","category-video","tag-digital-imageries-mass-images-the-networked-image","tag-eidolon-grant-2025"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fuga Panamericana - Eidolon Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/everydayphotography.org\/journal\/fuga-panamericana-esp\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fuga Panamericana - Eidolon Journal\" \/>\n<meta property=\"og:description\" content=\"de Luc\u00eda Harari Presentamos el proyecto &#039;Fuga Panamericana&#039; como un videoensayo basado en un hecho ocurrido en 2024: la fuga de 46 caballos del Ej\u00e9rcito argentino a lo largo de la autopista Panamericana. Este episodio, presenciado en vivo por pocas personas, circul\u00f3 principalmente a trav\u00e9s de versiones mediatizadas: fotograf\u00edas tomadas al azar, fragmentos en noticieros [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/everydayphotography.org\/journal\/fuga-panamericana-esp\" \/>\n<meta property=\"og:site_name\" content=\"Eidolon Journal\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-06T12:17:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-17T11:47:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2026\/07\/Eidolon_Lucia_Featured.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Endre Cserna\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Endre Cserna\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/fuga-panamericana-esp#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/fuga-panamericana-esp\"},\"author\":{\"name\":\"Endre Cserna\",\"@id\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/#\\\/schema\\\/person\\\/9fe3b039968c3044ccd334218ceb54e1\"},\"headline\":\"Fuga Panamericana\",\"datePublished\":\"2026-08-06T12:17:11+00:00\",\"dateModified\":\"2026-08-17T11:47:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/fuga-panamericana-esp\"},\"wordCount\":636,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/fuga-panamericana-esp#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/everydayphotography.org\\\/journal\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/Eidolon_Lucia_Featured.jpg\",\"keywords\":[\"digital imageries &amp; 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