{"id":1986,"date":"2024-06-06T08:59:09","date_gmt":"2024-06-06T08:59:09","guid":{"rendered":"https:\/\/everydayphotography.org\/journal\/?p=1986"},"modified":"2024-06-06T08:59:50","modified_gmt":"2024-06-06T08:59:50","slug":"editors-letter-june","status":"publish","type":"post","link":"https:\/\/everydayphotography.org\/journal\/editors-letter-june","title":{"rendered":"Editor\u2019s Letter \u2013 June"},"content":{"rendered":"\n<h4 class=\"wp-block-heading has-text-align-center\">Wolves, white bears and memories<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">In this article, you can read the editorial from our latest newsletter written by Eidolon-director R\u00f3za Tekla Szil\u00e1gyi, which were sent out on June 4th, 2024. We publish our monthly editor's letters, in which we reflect on recent events, approximately two weeks after the newsletter is out.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">If you'd like to receive the latest editorials and other updates on Eidolon's work without waiting, please consider&nbsp;<a href=\"https:\/\/everydayphotography.us14.list-manage.com\/subscribe\/post?u=dd6889a9780e407b4523c9bc2&amp;id=2f6f17afc4&amp;f_id=000ebae0f0\">subscribing to our newsletter here<\/a>!<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Hello there,&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creating an institution that lets one spend an abundance of time looking at family and domestic photography I am no less inspired by the unveiling of histories and narratives behind these photographs than the images themselves. As a person interested in subjective histories, Paul Auster\u2019s work circling around and often inspired by family chronicles (<a href=\"https:\/\/everydayphotography.us14.list-manage.com\/track\/click?u=dd6889a9780e407b4523c9bc2&amp;id=db95430858&amp;e=f8a7a563de\" target=\"_blank\" rel=\"noreferrer noopener\">4 3 2 1<\/a>), the different forms of memory (<a href=\"https:\/\/everydayphotography.us14.list-manage.com\/track\/click?u=dd6889a9780e407b4523c9bc2&amp;id=560f9626b7&amp;e=f8a7a563de\" target=\"_blank\" rel=\"noreferrer noopener\">The Invention of Solitude<\/a>) was always something that led me to discoveries about how and why keeping these familiar narrative loops around is a great and paramount task.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I finished reading the last chapter of Paul Auster\u2019s&nbsp;<em>Baumgartner<\/em>, his last novel published before his death just before sitting down to write this month\u2019s editorial letter, and there is a particular part of the book that made me think about the hiatus \u2013 hiatus of images depicting important happenings in our joined society and close circle \u2013, and some images I came by recently thanks to the latest Vernacular Social Club I was lucky enough to attend.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"661\" height=\"1024\" src=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-661x1024.jpg\" alt=\"\" class=\"wp-image-1989\" srcset=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-661x1024.jpg 661w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-194x300.jpg 194w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-768x1190.jpg 768w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-992x1536.jpg 992w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-1322x2048.jpg 1322w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/2220-1-scaled.jpg 1653w\" sizes=\"auto, (max-width: 661px) 100vw, 661px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Paul Auster photographed in June 1993 in Brooklyn, New York by Arnold Newman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In&nbsp;<em>Baumgartner<\/em>, there is a passage describing a story about the wolves of the western Ukrainian city of Ivano-Frankivsk. The novel\u2019s protagonist travels to the Ukrainian city to know more about his own family history, as his grandfather was allegedly born there \u2013 and during this visit, he meets with a poet turned out to be a Buddhist who tells the story of the thousand wolves who occupied the city sometime before the Soviet army rolled in to capture Ivano-Frankivsk in July 1944. Auster begins this part of his book \u2013&nbsp;<a href=\"https:\/\/everydayphotography.us14.list-manage.com\/track\/click?u=dd6889a9780e407b4523c9bc2&amp;id=ba44f9de78&amp;e=f8a7a563de\" target=\"_blank\" rel=\"noreferrer noopener\">a part that was originally published as a short story in 2020<\/a>&nbsp;\u2013 with the following sentences: \u201cDoes an event have to be true in order to be accepted as true, or does belief in the truth of an event already make it true, even if the thing that supposedly happened did not happen? And what if, in spite of your efforts to find out whether the event took place or not, you arrive at an impasse of uncertainty and cannot be sure if the story someone told you on the terrace of a caf\u00e9 in the western Ukrainian city of Ivano-Frankivsk was derived from a little known but verifiable historical event or was a legend or a boast or a groundless rumor passed on from a father to a son? Even more to the point: If the story turns out to be so astounding and so powerful that your mouth drops open in wonder and you feel that it has changed or enhanced or deepened your understanding of the world, does it matter if the story is true or not?\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Auster\u2019s story, it turns out that there is no image surviving depicting the wolves, and the animals left no trace in the Soviet propaganda films \u201cintended to glorify the heroic goodness and valour of the Soviet Union\u201d.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This leads us to the conclusion that there are two cases \u2013 one not more austere (pun intended) than the other. One is where we find ourselves on the task of tirelessly looking for imagery that can underline our memory and end up with a notable image hiatus. The other one is when we have tons of intriguing photographs but have to work on finding out the original narrative behind the image corpus just to be able to grasp the original context of the imagery before our eyes.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I recently found one of the greatest examples demonstrating the second scenario. While I was in Lodz Jean-Marie Donat, co-founder of the Vernacular Social Club organised a meeting where I could hear the story behind the White Bear in Barbara Caillot and Aleksandra Karkowska\u2019s interpretation, as their joined enterprise has been researching the topic for years, creating a vast collection and a&nbsp;<a href=\"https:\/\/everydayphotography.us14.list-manage.com\/track\/click?u=dd6889a9780e407b4523c9bc2&amp;id=5475e1ca58&amp;e=f8a7a563de\" target=\"_blank\" rel=\"noreferrer noopener\">photobook<\/a>&nbsp;that earned them the jury\u2019s special mention in the Historical Book category during last year\u2019s Arles book award. Barbara and Aleksandra are founders of Oficyna Wydawnicza Orygina\u0142y, a publishing house and research endeavour working on finding stories preserved in memory, awakening valuable memories, and passing them on. In this case, the story they are passing on is the White Bear of Zakopane, exploring how thousands of pictures of White Bears have become a symbol of Polish popular culture over the past 100 years.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"863\" height=\"1024\" src=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-863x1024.jpg\" alt=\"\" class=\"wp-image-1990\" style=\"width:643px;height:auto\" srcset=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-863x1024.jpg 863w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-253x300.jpg 253w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-768x911.jpg 768w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-1295x1536.jpg 1295w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_42292-1727x2048.jpg 1727w\" sizes=\"auto, (max-width: 863px) 100vw, 863px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"1024\" src=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-648x1024.jpg\" alt=\"\" class=\"wp-image-1991\" srcset=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-648x1024.jpg 648w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-190x300.jpg 190w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-768x1213.jpg 768w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-972x1536.jpg 972w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-1296x2048.jpg 1296w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/fortepan_47404-scaled.jpg 1620w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Source: Fortepan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Interestingly the White Bear topic is not unreferenced, as Jean-Marie has a collection himself that he exhibited at Les Rencontres de la Photographie at Arles in 2015 \u2013 and coming back from the trip, Fortepan\u2019s founder, Mikl\u00f3s Tam\u00e1si also sent me some imagery from the online archive depicting the same White Bear.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1024\" src=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection-754x1024.jpeg\" alt=\"\" class=\"wp-image-1993\" srcset=\"https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection-754x1024.jpeg 754w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection-221x300.jpeg 221w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection-768x1042.jpeg 768w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection-1132x1536.jpeg 1132w, https:\/\/everydayphotography.org\/journal\/wp-content\/uploads\/2024\/06\/Wermacht-officers-\u2026-and-bear.-Jean-Marie-Donat-Collection-Photograph_-Jean-Marie-Donat-Collection.jpeg 1503w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Wehrmacht officers \u2026 and bear, photograph from the Jean-Marie Donat Collection<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thinking about the two scenarios I have a remaining question. What has a greater chance of survival: stories that sound unexpected, but come without any pictorial illustration or photos that stand on their own and depict unexpected things that we don't know the story of? I do hope that Eidolon Centre for Everyday Photography\u2019s current and future endeavours will connect people endlessly searching for photographs, with those who are relentlessly searching for the marginalised narratives behind them.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><em>Warm regards, <br>R\u00f3za Tekla Szil\u00e1gyi <br>director of Eidolon Centre for Everyday Photography<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>You can find all previous editor's letters\u00a0<a href=\"https:\/\/everydayphotography.org\/journal\/category\/editors-letter\">at this link.<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Featured image: Still from the movie Bialy niedzwiedz (The White Bear), 1959, director: Jerzy Zarzycki<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wolves, white bears and memories In this article, you can read the editorial from our latest newsletter written by Eidolon-director R\u00f3za Tekla Szil\u00e1gyi, which were sent out on June 4th, 2024. We publish our monthly editor&#8217;s letters, in which we reflect on recent events, approximately two weeks after the newsletter is out. If you&#8217;d like [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[28,20,32],"class_list":["post-1986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editors-letter","tag-family-photography","tag-found-imagery","tag-historical-approaches"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Editor\u2019s Letter \u2013 June - Eidolon Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/everydayphotography.org\/journal\/editors-letter-june\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Editor\u2019s Letter \u2013 June - Eidolon Journal\" \/>\n<meta property=\"og:description\" content=\"Wolves, white bears and memories In this article, you can read the editorial from our latest newsletter written by Eidolon-director R\u00f3za Tekla Szil\u00e1gyi, which were sent out on June 4th, 2024. We publish our monthly editor&#039;s letters, in which we reflect on recent events, approximately two weeks after the newsletter is out. 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