{"id":1110,"date":"2023-12-14T11:17:47","date_gmt":"2023-12-14T11:17:47","guid":{"rendered":"https:\/\/everydayphotography.org\/journal\/?p=1110"},"modified":"2025-07-04T09:17:03","modified_gmt":"2025-07-04T09:17:03","slug":"everyday-and-vernacular-photography-archives-in-hungary","status":"publish","type":"post","link":"https:\/\/everydayphotography.org\/journal\/everyday-and-vernacular-photography-archives-in-hungary","title":{"rendered":"Everyday and vernacular photography archives in Hungary"},"content":{"rendered":"\n<h4 class=\"wp-block-heading has-text-align-center\">This week, we present two recordings from our 'Talks on everyday imaging \u2013 the analogue and digital realm of the vernacular\u2019 event's Hungarian segment: an insightful lecture by photo critic Judit Gell\u00e9r on the history of Hungarian vernacular photography and a video featuring Mikl\u00f3s Tam\u00e1si, co-founder of the region's most significant photographic archive, <a href=\"https:\/\/fortepan.hu\/hu\/\">Fortepan<\/a>.<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Judit Gell\u00e9r \u2013 History of vernacular photography research in Hungary<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Judit Gell\u00e9r \u2013 History of vernacular photography research in Hungary \/\/ Talks on Everyday Imaging\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/0TpG2VrgxvM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In Hungary, efforts to scientifically analyse private photographs began in the early 1980s. This research not only expanded the possibilities of cultural and scientific mapping of everyday life but also represented a new dimension in the art scene. As the techniques of private photography, tools, methods, and habits changed, so did the places and approaches for collecting private photographs, as well as the institutions and scientific methods for classifying and researching these types of images. How did these institutions operate in the period before the regime change in 1989, and what differences have the following decades brought? What impact did the focus on private photography have on education, art institutions, and individual artists? In my presentation, I will introduce the institutions and collections that were established during and after the regime change, aimed at studying private photography, while also referencing some artworks inspired by it. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Judit Gell\u00e9r has published art critiques and reviews in various Hungarian journals since 2000, curated exhibitions in Hungary and Europe since 2011. She received her PhD degree from the Film, Media, and Contemporary Culture program at ELTE University in 2022. Her research fields include private photo collections, artistic uses of archives, photobooks, and contemporary photography. She currently works as a contemporary curator at the MaDok program of the Museum of Ethnography and as an adjunct professor in the Photography Department of MOME.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mikl\u00f3s<\/strong> <strong>Tam\u00e1si \u2014 The Fortepan model: the operating model of a quitepopular digital vernacular photography archive<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mikl\u00f3s Tam\u00e1si \u2014 The Fortepan model \/\/ Talks on Everyday Imaging\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/NY4LHzjePiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Mikl\u00f3s Tam\u00e1si, founder of the archive, will tell us why Fortepan was started, and what thoughts motivated the decision to make the archive a collection of digitised, free-to-use photographs? We will also hear about what role the founder holds in the archive\u2019s everyday routine, and if his vision has any effect on the visual material appearing on the website. What is the reason behind the archive\u2019s popularity \u2013 and as the initiative is already so successful, what are their plans for the future? Can we count on the establishment of an international Fortepan model?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mikl\u00f3s Tam\u00e1si is the program manager of the OSA Archive in Budapest and founder of the Fortepan photo archive. Fortepan is the largest, constantly expanding, Hungarian-language, free online archive of photographs. It was named after the Fortepan photographic film manufactured in the former Forte Factory in the town of V\u00e1c. The photo collection does not exist physically, but has been accessible online since 20 August 2010. Mikl\u00f3s Tam\u00e1si launched the photo collection with \u00c1kos Szepessy to document what everyday life was like in Hungary from the end of the 19th century until the democratic political transition in 1990. Today, there are not many people in Hungary who have never stumbled upon content from the online archive as dozens of articles and photo galleries are illustrated with pictures from here each and every day.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The keynote speech of the event, given by Geoffrey Batchen, is available on&nbsp;<a href=\"https:\/\/everydayphotography.org\/journal\/whither-the-vernacular\">this link<\/a>.&nbsp;<\/strong><br><br><strong>Watch all three presentations of the segment 'Crash course on analogue everyday photography \u2013 vernacular photography outside the realm of the digital' <a href=\"https:\/\/everydayphotography.org\/journal\/crash-course-on-analogue-everyday-photography-vernacular-photography-outside-the-realm-of-the-digital\">here<\/a>. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Event Concept: R\u00f3za Tekla Szil\u00e1gyi, Endre Cserna&nbsp;<br>Video: Zsuzsi Simon&nbsp;<br>Music: \u00c1ron L\u00f6rinczi&nbsp;<br>Design: L2 Studio<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The lecture took place on November 2, 2023, in Budapest, Hungary.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You can find the original event description of 'Talks on everyday imaging \u2013 the analogue and digital realm of the vernacular'&nbsp;<a href=\"https:\/\/everydayphotography.org\/centre\/talks-on-everyday-imaging-the-analogue-and-digital-realm-of-the-vernacular\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we present two recordings from our &#8216;Talks on everyday imaging \u2013 the analogue and digital realm of the vernacular\u2019 event&#8217;s Hungarian segment: an insightful lecture by photo critic Judit Gell\u00e9r on the history of Hungarian vernacular photography and a video featuring Mikl\u00f3s Tam\u00e1si, co-founder of the region&#8217;s most significant photographic archive, Fortepan. Judit [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,44],"tags":[21,22,25],"class_list":["post-1110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talk-event","category-video","tag-archives","tag-the-hungarian-scene","tag-theories-of-the-vernacular"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Everyday and vernacular photography archives in Hungary - Eidolon Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/everydayphotography.org\/journal\/everyday-and-vernacular-photography-archives-in-hungary\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Everyday and vernacular photography archives in Hungary - Eidolon Journal\" \/>\n<meta property=\"og:description\" content=\"This week, we present two recordings from our &#039;Talks on everyday imaging \u2013 the analogue and digital realm of the vernacular\u2019 event&#039;s Hungarian segment: an insightful lecture by photo critic Judit Gell\u00e9r on the history of Hungarian vernacular photography and a video featuring Mikl\u00f3s Tam\u00e1si, co-founder of the region&#039;s most significant photographic archive, Fortepan. 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