Featured Image

Editor’s Letter – March, 2025

In this article, you can read the editorial from our last newsletter of this year written by Eidolon-editor Róza Tekla Szilágyi, which was sent out on March 6, 2024. We publish our monthly editor's letters, in which we reflect on recent events, approximately two weeks after the newsletter is out.

If you'd like to receive the latest editorials and other updates on Eidolon's work without waiting, please consider subscribing to our newsletter here!


Hello there,

Coming back from London where our ‘Talks on everyday imaging vol. 2 – the self-centred and networked’ talk event took place at The Photographers’ Gallery I kept thinking about a small gadget that I had seen during our visit at the expanded Photography Centre at V&A South Kensington. Something called a “pocket sunshine” – how fitting in the dreadful and depressive month of February. I felt intrigued by the object not just because of its name but also because the last time I was using my phone’s flash instead of a proper flashlight going upstairs in the staircase I realised I have never really thought about the small gadgets that were the predecessors of the ever so convenient torch app/flashlight duo on my phone.

In a previous newsletter approximately a year ago I shared my interest in the tiny gadgets that pave the way in the history of photography, that accompany our attitude of trying to become the master of a fairly new machine called the camera. Last time the center of my attention was the Posograph, now I turn my gaze towards the pocket sunshines, the tiny containers safekeeping the magnesium flash ribbons that helped the amateurs take photographs in darkness, where our eyesight easily defeated us.

While thinking about how we take for granted the ability to photograph under almost any light conditions I came across a photograph, showing a man in some kind of a cave. The man is a crew partner of the photographer Charles Waldack during a mission where they hiked down into the Mammoth Cave in Kentucky to take photographs where no bright light existed. The year is 1866 and when I imagine the full darkness right before the moment the light generated by the magnesium powder they used to light the cave I feel unease.

Scotchman’s Trap. Photo by Charles Waldack, 1866, source: Library of Congress Prints and Photographs Division Washington, D.C.

The “pocket-sunshine” that grabbed my attention is the small size version of the magnesium powder lamps. Sir Humphry Davy was the one who in 1808 discovered how to isolate magnesium in its pure metallic form – but we would have to wait until 1865 for the first time when magnesium was used in photography. After 1865 numerous patents were filed for lamps which used magnesium in ribbon form – in these cases the light’s duration was directly proportional to the length of ribbon used. During the following years a lot of effort was dedicated to finding ways to make the process safer and quicker – the powder flash, spirit-lamp burners and powder trays were developed.

But I am most fascinated with the small palm-sized “pocket-sunshines” and Pistol Flashmeters, objects that help us imagine times where photographers had to be willing to take the risk so that photographs can come to light, literally. Anything to get the shot. That did not change.

Warm regards,
Róza Tekla Szilágyi
director of Eidolon Centre for Everyday Photography


You can find all previous editor's letters at this link.

Latest Articles

Screenshot 2024-08-14 at 9.50.46

by Róza Tekla Szilágyi

“The only thing to do in life is to be curious.” – Interview with Jean-Marie Donat

The Paris-born vernacular photography collector, founder of the the publishing house Éditions Innocences and co-founder of the Vernacular Social Club describes himself as a “ventriloquist” photographer. After showcasing his collection at Les Rencontres d'Arles twice during the previous decade the exhibition highlighting materials from Studio Rex, a photo studio that was located at the heart of Belsunce, Marseille’s working-class neighborhood is on view at C/O Berlin. We talked to Jean-Marie about his motivations, collection and reasons to visit fleamarket after fleamarket to unearth new pieces for his collection photograph by photograph.

covermelissainter

by Endre Cserna

“As societies, we are much more image-savvy than we used to be, and children grow up in visual cultures which they are also very adept at deciphering”
– Interview with researcher and writer Melissa Nolas

 Visual sociologist Melissa Nolas is the Director of the Childhood Publics Research Programme and the Children’s Photography Archive. The London-based institution offers a digital infrastructure for the collection and curation of these image materials, and for the research of children's visual cultures, children's photography, and visual ethics.

leonellicover

by Endre Cserna

“Why are girls denied climbing trees?” 
Interview with journalist and curator Laura Leonelli – Collectors & their collection vol. 4.

Laura Leonelli’s 2023 book I Won’t Come Down: Women Who Climb Trees and Look into the Distance, published by Postcart Edizioni, collects a hundred anonymous photographic portraits of women climbing trees from the late 19th century to the 1970s and includes texts from feminist authors.

Get in touch!

Copyright © 2023 eidolon journal.
All rights reserved.

Newsletter

Back to top Arrow
View