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Nathan Jurgenson is a social media theorist and author of “The Social Photo: On photography and social media” (Verso Books, 2019). Much of this work centres on a critique of “digital dualism”, a phrase he coined to describe the false belief that the internet is a separate virtual sphere or cyber space. Instead, Nathan approaches digitality as embodied, material, and real. Nathan lives in Los Angeles, California.
Barbara Levine and Paige Ramey are collectors, artists, and curators specializing in vernacular photography. Their photography collection, known as PhotoMania, was recently acquired by the Museum of Fine Arts Houston, and their first collection of vintage photograph albums was acquired by the International Center of Photography in New York. They run Project B, an archive and collaborative curatorial venture.
Lev Manovich a Presidential Professor at The Graduate Center, City University of New York, an artist, and one of the most influential theorists of digital culture and art in the world. He has played a key role in creating a number four new research fields: new media and digital culture, software studies, cultural analytics, and AI aesthetics. Manovich is the author of 17 books, and his digital art projects have been exhibited at many prestigious institutions, such as the Institute of Contemporary Art (London), the Centre Pompidou, and the Shanghai Biennale.
Marcel Top is a visual artist living and working between Belgium and London. He researches the topics of mass surveillance, privacy, and data collection. In his practice, he layers a traditional approach to documentary research with a more experimental use of new technologies (such as facial recognition, movement analysis, and deepfakes). He uses these technologies to visualise and examine scenarios in which people can protect themselves and their rights by gaining knowledge and reclaiming control of surveillance tools.
Róza Tekla Szilágyi is the director of Eidolon Centre for Everyday Photography. She lives and works in Budapest. Her main interest is the fact that everyday photography's cultural importance is often overlooked though it represents the larger part of our image heritage from the last 200 years.
Long-form essays and article series published on the eidolon journal
English translations of significant publications on everyday imaging in other languages published on the eidolon journal
Original books *
Multimedia artworks, digital projects, and site-specific works
Workshops or workshop series
Short documentaries and video essays
Group or solo exhibitions
Talk events or event series
Masterclasses or research groups
* Please note that we are interested in books that have photographic illustrations but currently we are not seeking photobook proposals.
Family albums, past and present
Collective histories and memories through the lens of vernacular photography
The questions of archiving past and present vernacular imagery
The aesthetic quality and social or psychological significance of photography in the age of social media
The networked attributes of online images
Contemporary amateur photographic practices
The representation of marginalised groups through vernacular photography
Vernacular photography appropriation and collection building as contemporary art
The development of the photographic apparatus and its significance in everyday culture
* Please note that we are interested in books that have photographic illustrations but currently we are not seeking photobook proposals.
In Category 1, the eidolon Grant invites projects that critically engage with the evolving phenomena of digital images, social media platforms, networked image cultures, and their social, political, historical, and aesthetic implications in the 21st century.
We seek thoughtful, in-depth projects that examine the impact of these mediums on contemporary visual communication, identity, and social interaction. Proposals should offer innovative and fresh perspectives or explore underrepresented aspects of these topics, providing nuanced insights into how digital image practices shape and are shaped by recent cultural and technological shifts.
In Category 2, the eidolon Grant seeks projects that engage with the significance of 19th and 20th-century everyday photography, through both private and public archives, whether hidden or well-known, and explore collective histories and memories.
We want to give previously unhighlighted photographs the opportunity to shine through various interpretive gestures. Analogue vernacular photography is being lost to our heritage because, as yet, we have no systemic means of their preservation. Eidolon represents an opportunity to interpret everyday images of the past at a moment when the question of what is significant about contemporary social imaging arises. We believe that the past is interpreted through the image practices of the present.
We invite proposals that critically examine the history of safekeeping these images, considering their evolution and relevance in both historical and contemporary contexts. Furthermore, projects focused on the development of the photographic apparatus and its impact on everyday culture are encouraged.
In Category 1, the eidolon Grant invites projects that critically engage with the evolving phenomena of digital images, social media platforms, networked image cultures, and their social, political, historical, and aesthetic implications in the 21st century.
We seek thoughtful, in-depth projects that examine the impact of these mediums on contemporary visual communication, identity, and social interaction. Proposals should offer innovative and fresh perspectives or explore underrepresented aspects of these topics, providing nuanced insights into how digital image practices shape and are shaped by recent cultural and technological shifts.
In Category 2, the eidolon Grant seeks projects that engage with the significance of 19th and 20th-century everyday photography, through both private and public archives, whether hidden or well-known, and explore collective histories and memories.
We want to give previously unhighlighted photographs the opportunity to shine through various interpretive gestures. Analogue vernacular photography is being lost to our heritage because, as yet, we have no systemic means of their preservation. Eidolon represents an opportunity to interpret everyday images of the past at a moment when the question of what is significant about contemporary social imaging arises. We believe that the past is interpreted through the image practices of the present.
We invite proposals that critically examine the history of safekeeping these images, considering their evolution and relevance in both historical and contemporary contexts. Furthermore, projects focused on the development of the photographic apparatus and its impact on everyday culture are encouraged.
Amount to be distributed in the two categories combined
Please send us an abstract no longer than 10.000 characters highlighting the focus and main narrative of the idea in question, a brief argument about the significance of the chosen topic, and a draft timeline of the realisation process.
Submitting specific images or visual materials used in the project or serving as inspiration is not a must, but it can strongly influence the jury’s decision and is firmly recommended.
The Grant can be used to fully or partially finance projects and ideas – in case of applying for partial funding please disclose the short, but detailed and adequate budget of the project you are proposing besides stating the amount of funding you are applying for with the Grant. This is a really important element for the jury to make decisions about the granted amount of funding.
The total amount available is 25.000 EUR, but applicants are not required to request the full amount. Apply for the exact and actually required budget needed to realise your project, up to 25.000 EUR.
Please attach a short CV and a summary of your previously realised projects.
If you apply with an idea for a long-form essay/article series/original book idea, please send us a short selection of your previously written material.
If you apply with an idea for the English translations of significant publications on everyday imaging, please send us a short description of the text you wish to translate to English.
If you intend to work with a third party (an archive, collection or institution) please include their declaration of consent in your application.
Please send us an abstract no longer than 10.000 characters highlighting the focus and main narrative of the idea in question, a brief argument about the significance of the chosen topic, and a draft timeline of the realisation process.
Submitting specific images or visual materials used in the project or serving as inspiration is not a must, but it can strongly influence the jury’s decision and is firmly recommended.
The Grant can be used to fully or partially finance projects and ideas – in case of applying for partial funding please disclose the short, but detailed and adequate budget of the project you are proposing besides stating the amount of funding you are applying for with the Grant. This is a really important element for the jury to make decisions about the granted amount of funding.
The total amount available is 25.000 EUR, but applicants are not required to request the full amount. Apply for the exact and actually required budget needed to realise your project, up to 25.000 EUR.
Please attach a short CV and a summary of your previously realised projects.
If you apply with an idea for a long-form essay/article series/original book idea, please send us a short selection of your previously written material.
If you apply with an idea for the English translations of significant publications on everyday imaging, please send us a short description of the text you wish to translate to English.
If you intend to work with a third party (an archive, collection or institution) please include their declaration of consent in your application.
Announcement of the grant winners and their awarded Grant amount will be published in October, 2025 – the decision will be made by the Eidolon team and an international jury.
We will reach out to the winners right after the announcement to finalise the paperwork necessary for receiving the grant. Winners will receive payment in three or four installments, based on the volume and timeline of their project. The Eidolon team will coordinate this with the winners before the grantcontract is finalised.
The Grant disbursement stages outlined above are also feedback opportunities for the Eidolon team on the material in development.
No entry fee.
We welcome individual and group applications.
We choose the number of the Grant winners based on the applications received.
The amount of the grant can be freely spent on the implementers' fees, travel expenses, preparation and production costs, and the payment of the involved partners.
Any incomplete application, or any received after the deadline, will not be taken into consideration. By submitting your application, you agree to share its content with the members of the jury and, in the case of a winning application, to use its visual elements in the announcement of the results and in subsequent social media posts.
We would like to draw the applicants' attention to the fact that it is not possible to apply for the digitization and maintenance of an already existing collection.
Based in Budapest, Eidolon Centre for Everyday Photography is still searching for its final physical home. In case of a grant given to facilitate the preparation of an exhibition or talk event, the winner agrees that Eidolon has the right for a year to realise the exhibition or event in their own future space or find the right international partner to host the event.
For additional inquiries regarding the Eidolon Grant, please reach out to us at info@everydayphotography.org. (Please, use the subject EIDOLON GRANT INQUIRY.)
Call for entries open
Submission deadline
Winners' announcement
Call for entries open
Submission deadline
Winners' announcement